Totem "Gold"
220 x 20 x 20 cm
polystyrene, gypsum, clay, acrylic, levkas, wood, varnish
"Totem" collection
2021
I started this project during a pandemic, when all the attention was focused on myself. In sculptures, I combined the idea of a totem as a symbol of the spirit, and the manifestation of duality in a person.
The four sides of each sculpture visualize many aspects of a person's character, behavior and manifestations in society and alone.
Each totem is unique - like each person.
"Totem #1, #3, #2, #4 and other size of #3"
65 x 13 x 13 cm
polystyrene, gypsum, clay, acrylic, levkas, crystals, wood, varnish
Totems "Gold", "Nonsense is important", "Childhood", "Fugue", "Bee vision"
220 x 30 x 30 cm each
polystyrene, gypsum, clay, acrylic, levkas, Swarovski crystals, wood, varnish
__________________________
"Orange 17"
60 x 50 x 10 cm
oil, levkas, linen canvas
"50/50" Series
2020
Works from the series "50/50" - visualization of the percentage assessment of the fairness of relations between people, their mutual influence, absorption, domination, merger, the emergence of a new joint world.
I give the viewer an opportunity to be in the role of the Supreme Creator and to watch these processes from a distance through a snow-white portal window made of levkas - a traditional Russian material used in icon painting.
"Blue 17"
250 x 180 x 10 cm
oil, levkas, linen canvas
"Red 17"
250 x 180 x 10 cm
oil, levkas, linen canvas
__________________________
"Dark Grey 17"
60 x 50 x 10 cm
oil, levkas, linen canvas
"Red dots horizon 17"
60 x 50 x 10 cm
oil, levkas, linen canvas
"Sunset Brown 17"
60 x 50 x 10 cm
oil, levkas, linen canvas
"Light Green 17"
60 x 50 x 10 cm
oil, levkas, linen canvas
"Magenta horizon 17"
60 x 50 x 10 cm
oil, levkas, linen canvas
__________________________
"Nonsense is important"
160 x 140 x 30 cm
polyester filler, pencil, acrylic, pigment ink, canvas
"The walls" collection
2019
"Nonsense is important" - there was an inscription on the wall of a simple Russian entrance. Jokes of juvenile hooligans and threats from neighbors were read nearby, confessions of unrequited love, verses from songs and street slogans could also be found there. It was obligatory to mention who was here, when and at what time.
Our modern Russian street art culture was formed before our eyes, in our houses and on our fences, sometimes a great street philosopher speaks to us through the dirty lines on the wall, and sometimes it's just someone's joyful cry. I didn’t come up with a plot, it was enough to put all these “nonsense” in the framework of art and ask a direct question to society “Is this nonsense important?”
Let each one answer to himself through this prism.
"The main vowels"
150 x 135 x 30 cm
polyester filler, pencil, oil, canvas
"The main consonants"
120 x 96 x 33 cm
polyester filler, pencil, acrylic spray, oil, canvas
__________________________
"Young Russia"
180 x 100 x 5 cm
aluminium, barbed wire, acrylic, burned canvas
"Siberia" collection
2017-2018
The old world collapsed before my eyes, and I saw the birth of my new country - Russia.
I saw that times have changed, conversations on the street have changed. Our childhood games were like military operations: we blew up cartridges, carbide and gunpowder, fired from our father's guns. We studied construction sites, it was especially interesting to look at the explosions in a quarry where metal ore is mined. Everyone went in for sports, for teenagers physical strength was a determining factor, everyone was still trying to learn prison slang and, of course, it was necessary to correspond to all this.
Now I understand that what I really had a lot, as a child of the new Russia is endless freedom.
I took a freight train and rode somewhere, I jumped from rooftops into huge snowdrifts, I even drove my father's car without a license, secretly taking my keys at night.
There were rules, but these rules were universal, but there was such a thing, that someone went beyond this framework. In general, the place where I come from is harsh people (in the area of about 140 prisons and correctional settlements) and no less harsh winters, but also a freedom-loving, naturally strong human character, So if you say all these remarks out loud, then you can often will hear the following answer:
"We were just born this way".
"And he saw the sun"
170 x 120 x 10 cm
aluminium, barbed wire, acrylic, burned canvas
"Houses are full of pink people"
130 x 80 x 10 cm
aluminium, metal grid, acrylic, burned canvas
"Houses are full of pink people"
180 x 130 x 30 cm
aluminium, , acrylic, pigment ink, burned canvas
__________________________
"CoCoCo" collection
2016
I have been engaged in art and music since childhood. These two directions are inextricably linked. When I create paintings, music plays in my head.
In this collection, I reflected how I see music on paper.
"Fugue"
A3
acrylic, fine art paper
"Corn or Chocolate"
A3
acrylic, fine art paper
"Epiphany"
A3
acrylic, fine art paper
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"Bee vision" collection
2016
I like to observe the environment. I like to explore the world around me. Once I visited my friend's apiary, and we talked for a long time about bees. I discovered that bees see the world as if in slow motion. I was so impressed by this fact that I decided to display it on canvas.
"Through the eyes of a bee"
120 x 90 cm
acrylic, linen canvas
"On the way to the honey home"
120 x 150 cm
acrylic, linen canvas
"Summer forest"
120 x 150 cm
acrylic, linen canvas
"Bee vision 50/50 series"
270 x 160 cm x 5 cm
acrylic, gesso, linen canvas
__________________________
Sasha Huyak is a Russian contemporary artist,
born and raised in Siberia.
At the age of four he drew his first conscious drawing.
Embodying thoughts and feelings into physical objects, Sasha studies the duality and versatility in the manifestations of a person in everyday life.
He took part in the advertising campaign of the new "Avant-Garde" model of the Russian watches brand "Raketa" in 2021.
His artwork "red 17" from the 50/50 series appeared on the cover of the September issue of Elle Decoration Russia in 2021.
For 8 years he lived and worked abroad.
Sasha's works are in private collections in Australia, Singapore, Spain, Indonesia and Russia.
Currently lives and works in Moscow.
2014:
"Positive Negative gallery"
Darwin, Australia
"Deus Ex Machine gallery"
Bali, Indonesia
2015:
"Street exhibition"
Valencia st 18th, San Francisco, USA
"Positive Negative gallery"
Darwin, Australia
"11.12 Gallery"
Singapore
2016:
"ODD gallery"
Bali, Indonesia
"Positive Negative gallery"
Darwin, Australia
"Across generation artists gathering" private exhibition Bali, Indonesia
2019:
"Crate gallery"
Bali, Indonesia
2021:
"Boccara art gallery"
Moscow, Russia
"Polyot Gallery"
Antique Salon 47 / Moscow, Russia